
I begin with a quote from Felix Mendelssohn – ‘Though everything else may appear shallow and repulsive, even the smallest task in music is so absorbing, and carries us so far away from town, country, earth, and all worldly things, that it is truly a blessed gift of God.’ This quotation can also be linked, in my eyes, to art and writing, or to anything really which a perceiver or player is passionate about. Here’s another quotation – ‘A jack of all trades is a master of none.’ This has the possibility of making one feel inferior. One who has a hobby rather than a vocation. One who has more than one hobby, who’s skills and time is split between pastimes. However, if you read out aloud the full quotation, which is – ‘A jack of all trades is a master of none, but oftentimes better than a master of one.’ In other words, we can’t all be masters, but this doesn’t bring disadvantage.
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Is your grown-up persona sprung from schooldays? A trickling brook of ideas and passions widening as it flows? In school, I was in the netball team, the hockey team, the cross-country team, the school orchestra, the choir, the gymnastic team, the swimming team. I jumped from one to another with boundless energy, becoming master of none. What I did become, was outgoing, a team player, could play an instrument, could sing, (not now, whoaaa, no way would you want to hear me sing now), built up stamina, kept out of mischief.
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The house is at its best when it is full of life. I live in a three-bedroom house, with floored attic, which sags with shelves upon shelves of books, pages and pages of words, fictional, factional, educational, romantical, crying out to me, in the night, when I wake with ideas, or dreams, the latest one a phone call with my mum. ‘Oh, and just before I go,’ she says, ‘your grandad had blue eyes.’ That I had been toying with the idea of emailing my uncle, to ask if he could remember what colour of eyes my grandad had, coming immediately to me. My grandsons come to stay or visit from time to time, and it’s then the house really comes alive. It’s when I move. Otherwise, I’m attached to a laptop, in whatever corner of the house is the warmest, while the dishes soak, the washing in the machine lies crumpled, cold, whining to get out, to be hung and dried.
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There’s a bird feeder in my garden, hanging from my Red Robin shrub. The birds aren’t around right now. The winter days here in my town have been bleak. Out the front I see gulls, or wood pigeons, and a magpie who’s stolen the wood pigeon’s nest. It’s in the beech hedge belonging to my neighbour, and I see it brushing through the branches. I haven’t noticed my blackbird yet. I await patiently to greet it.
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Looking back historical references to my town, I see numerous references to the Silver Band. It appears to have been entertaining the residents since around 1835. I have a photo in mind of the band marching past St Mungo’s Church, and people gathering to listen. In those days there were no speed bumps or horse shit to avoid, while marching through the town.
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Once upon a time I regretted my traits. I was a social but competitive butterfly, chasing the blackbird, never succeeding in being the best. My head was filled with the sweet scent of romance, the budding friendships, the growing stem of learning and the petals of participation. As a youngster, apart from all the sporting activities, I had an affinity for music and writing. I was in the school band, and wrote diary entries and stories. The writing came as a result of reading. I loved to read, to be carried out of my mediocre self to another world, where I was the heroine, and after each good book I thought, I wish I’d written that. Work and motherhood kept me away from both these things, although I did write when I was troubled. After I had my first child, I may have suffered slightly from post-natal depression, and then my dad died. I dipped my heart into jotters at those times.
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Mid-seventies an office job was considered a good job. Not being confident enough to grab a job in The Scotsman offices I began in the Financial Industry, a job I stayed in until recent retirement (early) except for the odd stray into cleaning, bar, shop assistant, reception duties, after becoming a mother. Independence was important to me, and ordinary jobs, not being the master of anything, still provided me with money. It’s funny how life pulls you down, birls you around, and then flings you up again, into a companionable mistral, landing you back on the flower head you once adorned.
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A boat trip with my most accommodating mother sees me making my way to Staffa, in The Hebrides. We boarded a Caledonian MacBrayne ferry to Mull, travelled by bus to a small bay where we climbed onto a small boat, seats up each side. We could almost touch the sea with our hands. The waves were rough, so a caveat was reeled off. We hummed along with the gulls, before deciding we would risk it. All fine if you like watery undulations, small boats, and cold salty sea spray peppered over you. All this because I’d learnt about Felix Mendelssohn in school while studying music. I remember finding out how he was inspired to compose his concert overture named The Hebrides, also coming to be known as Fingal’s Cave, on one of his trips to the British Isles, in 1829, visiting the Island of Staffa. He was said to have started writing the opening theme at first sight of the Island’s dramatic formation. I wonder if the geography of the land made him gasp? I did. I flapped internally with emotion, my heart leapt, and dipped with the waves as we headed to shore. How could my eighty-year-old mother manage this? It’s fine if you’re fit for getting off in Staffa, if you can manage the climb over large slabs of layered rock, then balance on the narrow rock path, to the mouth of the cave. There are ropes to hang onto in the event of a sudden loss of equilibrium, but you need to think quick, grab on in time, or it’s a cold dip in the sea, a swim with the seals, or a broken hip on the rocks, at low tide. To some it’s just a cave. To me it’s a cavern of emotions, the memory of a young romantic girl, studying music. A lonely class, only she and two others. Was it this trip which sent me back to the band? Or was it simply an urge to recreate my happy schooldays?
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There is a room where I leave out my trumpet and my cornet, in sight, bell to the floor, to remind me to practice. If I want to improve, I must oil the tubes with my spit, I must rumble the keys, blow air through and play to my heart’s content. Once I begin, I’m off the scale. I hear or see nothing but my music and my sounds. Writing or music, what do I perfect? I’m trying as best as I can with both. I’m forever the butterfly chasing the blackbird.